Archive 2017

Filmes

Competitive | Features

300 Miles
Syria
Orwa Al Mokdad

El Mar, La Mar
United States
Joshua Bonetta e J.P. Sniadecki

Fernando
Brazil
Igor Angelkorte, Julia Ariani e Paula Vilela

Foreign Body
France, Tunisia
Raja Amari

Big Big World
Turkey
Reha Erdem

Machines
India, Germany, Finland
Rahul Jain

Land Vessels
Brazil
Simone Cortezão

Newton
India
Amit V Masurkar

King
Chile
Niles Atallah

Soldier
Argentina
Manuel Abramovich

Vangelo
Italy
Pippo Delbono

Competitive | Shorts

The Lighthouse Island
Brazil
Jo Serfaty, Mariana Kaufman

Shake Up Brazil
Brazil
Carlos Segundo

Ciudad Maya
France, Mexico
Andrés Padilla Domene

Events in a Cloud Chamber
India
Ashim Ahiuwalia

Fajr
Fiji
Lois Patiño

The Disco Shines
Turkey, Spain
Chema Garcia Ibarra

Nyo Vweta Nafta
Portugal
Ico Costa

Penumbria
Portugal
Eduardo Brito

Selva
Costa Rica, Argentina, Chile
Sofia Quirós

Empty
Peru
Carmen Rojas Gamarra

New Views

Scribbles, Doodles and Other Monsters
Brazil
João Castelo Branco, Elisabeth Moreschi

Still the Earth Moves
Mexico
Pablo Chavarria Gutiérrez

Occidental
France
Neïl Beloufa

People Power Bombshell: The Diary of Vietnam Rose
Philippines
John Torres

All the Cities of the North
Serbia, Bosnia and Herzegovina, Montenegro
Dane Komljen

Tonsler Park
United States
Kevin Jerome Everson

Other Views | Features

Lucia’s Home
Brazil
João Marcelo, Lúcia Luz

Alipato – The Very Brief Life of an Ember
Philippines, Germany
Khavin De La Cruz

From a Year of Non-events
Germany
Ann Carolin Renninger, René Frölke

A Yangtze Landscape
China
Xu Xin

Autumn, Autumn
South Corea
Jang Woojin

Hema Hema: Sing me a Song While I wait
Buton, Hong Kong
Khyentse Norbu Rimpoche

Free Man
Brazil
Alvaro Furloni

My Body is Political
Brazil
Alice Riff

Overnight Flies
Austria, Sweden
Georg Tiller

The Scope of Separation
China
Yue Chen

Convictions
Russia, Poland
Tatiana Christova

Other Views | Shorts

Acaiaca
Brazil
Leonardo Good God

Couplets for an Everlasting Eve
Spain
Ageda Kopia Taldea

Cilaos
France
Camilo Restrepo

The Tale of Antonia
Switzerland, Colombia
Jorge Cadena

Itinerant State
Brazil
Ana Carolina Soares

Manodopera
Greece, France
Loukianos Moshonas

On the Mission, with Kadu
Brazil
Aiano Bemfica, Kadu Freitas e Pedro Maia de Brito

Misters (without blame)
Mexico
Annalisa D Quagliata

It’s Never Nightmare in the Map
Brazil
Ernesto de Carvalho

The Daytime Doorman
Brazil
Fábio Leal

Saturn’s Return
Brazil
Bianca Muniz, Marcus Curvelo

September
Portugal, Bulgaria
Leonor Noivo

The Crying Conch
Canada, Haiti
Vincent Toi

Olhares Clássicos

A Scary Time
United States
Shirley Clarke

Anathan
Japan
Josef vin Sternberg

Boudu Saved From Drowning
France
Jean Renoir

Talks in Maranhão
Brazil
Andrea Tonacci

Cat Skin
Brazil
Joaquim Pedro de Andrade

Norman McLauren Short Films
Canada
Norman McLauren

Story of the Night
Switzerland, Italy, Germany, France
Clemens Klopfenstein

Voyage to the End of the Universe
Czech Republic
jindrich Polák, Pavel Jurácek

Death’s Long Way
Brazil
Julio Calasso

Monangambee
Algeria
Sarah Maldoror

The Conspirators
Brazil
Joaquim Pedro de Andrade

Taipei Story
Taiwan
Edward Yang

Visionaries
Brazil
Fernando Severo

A Trip to the Moon
France
Georges Méliès

Foco

Black Mirror
Thailand
Anocha Suwichakornpong

By the Time it Gets Dark
Thailand, Netherlands, France, Qatar
Anocha Suwichakornpong

Mysterious Object at Noon
Thailand
Anocha Suwichakornpong

Ghosts
Thailand, United States
Anocha Suwichakornpong

Graceland
Thailand
Anocha Suwichakornpong

 

Mundane History
Thailand
Anocha Suwichakornpong

Like. Real. Love.
Thailand
Anocha Suwichakornpong

Lunch
Singapure
Anocha Suwichakornpong

Nightfall
Thailand
Anocha Suwichakornpong

 

Overseas
Thailand
Anocha Suwichakornpong

Special Screenings

66kinos
Germany
Philipp Hartmann

A Quiet Dream
South Korea
Lu Zhang

This is the Way I Like it
Chile
Ignacio Agüero

This is the Way I Like it II
Chile
Ignacio Agüero

The Royal Lemon Tree
Argentina
Gustavo Fontán

Mode of Production
Brazil
Dea Ferraz

Not Reconcilied
France
Jean-Marie  Straub

Rifle
Brazil, Germany
Davi Pretto

Retrospective

The Last Laugh
Weimar Republic
F. W. Murnau

The Dark Road
Weimar Replubic
F. W. Murnau

Finances of the Grand Duke
Weimar Republic
F. W. Murnau

Faust
Weimar Republic
F. W. Murnau

Tartufle
Weimar Republic
F. W. Murnau

Nosferatu: a Simphony of Horror
República de Weimar
F. W. Murnau

Phantom
Weimar Republic
F. W. Murnau

The Haunted Castle
Weimar Republic
F. W. Murnau

Sunrise: a Song of Two Humans
United States
F. W. Murnau

Tabu: a Story of the South Seas
United States
F. W. Murnau

Mirada Paranaense

Among us, the Stranger
Brazil
Guto Pasko

#wewillstandstrong
Brazil
Diego Florentino

Pavement Song
Brazil
Pedro Giongo

The Color of Silence
Brazil
Karize Kresteniuk

Hush Street
Brazil
Eduardo Colgan

World Stratifies Body Moves
Brazil
Igor Urban

Orion
Brazil
Rodriane DL

To Overflow
Brazil
Helena Volani

You are not Dead Yet
Brazil
Ana Johann

Young Views

Caique’s Pool
Brazil
Raphael Gustavo da Silva

Way of Giants
Brazil
Alois Di Leo

Crystal Lake
United States
Jennifer Reeder

Desassemble
Brazil
Mari Cavalcanti

Two Trams
Russia
Svetlana Andrianova

VHS Boy
Brazil
Carlos Daniel Reichel

Bene’s Horizon
France
Jumi Yoon, Eloic Gimenez

Easygoing Teddy
Croatia
Tomislav Gregi

Doctor of Monster
Brazil
Gustavo Teixeira

Psychonauts, the Forgotten Children
Espanha
Alberto Vásquez, Pedro Rivero

Ringo
Espanha
Adria Pagés

Tailor
Brazil
Cali dos Anjos

Júri

Competitive

person
Guto Parente

Guto Parente, 33 years old, has made seven shortand 6 feature films – “Estrada para Ythaca” (2010), “Os Monstros” (2011), “No Lugar Errado” (2011), “Doce Amianto” (2013), ” a Misteriosa Morte de Pérola” (2014) and “O Estranho caso de Ezequiel” (2016). His films were screened in festivals such as Locarno, Rotterdam, Viennale, AFI, FIDMarseille, among others. Today is finishing his 7th and 8th feature films – “O Clube dos Canibais” and “Inferninho”. He is partner of the production company Tardo Films.

person
Maria José Santacreu

Maria José Santacreu (Montevideo, 1967). Is the director of Cinemateca Uruguaya and the International Film Festival of Uruguay. She is the editor for Arts and Culture of Semanario Brecha.

person
Philippe Gajan

Philippe Gajan is the programming director of Festival du Nouveau Cinéma, Montreal. He has been part of the festival since 1999. He is also film critic and director of the magazine 24 images.

Outros Olhares

person
Bárbara Rangel

Graduated for Fluminense Federal University. Has a Master degree in Preservation and Presentation of Moving Image from amsterdam University, and for that project, worked on the files of Portuguese and French Cinematheques. Today is part of the cinema programming team for Moreira salles Institute and is responsible for editing the DVDs released by the institution.

person
Luís Fernando Moura

Curator, programmer and researcher of films. Programmer coordinator for Recife’s Janela Internacional de Cinema. Journalist, with essays published in papers as Diário de Pernambuco, São Paulo’s Jornal do Comércio, and magazines such as Continente, Tercer Film e La Fuga. Master an PhD in progress in social Communication by Minas Gerais Federal University, where he develops a research that put together cinema theories, philosophy and studies about animality.

person
Monica Delgado

Director of Desistfilm. a Peruvian film critic with an academic background in social communication and Cultural Studies. She has published different articles and essays about cinema in various online and printed magazines.

New Views

person
Lili Hinstin

Lili Hinstin was born in 1977. She founded the production company Les Films du Saut du Tigre in 2001. From 2005 to 2009, she was in charge of the movie theater of the French Academy in Rome Villa Médicis. Programmer for different structures, she was artistic director deputy for Cinéma du Réel international Festival at centre Pompidou from 2010 to 2013. she is the artistic director of Entrevues Belfort International Festival since 2013.

person
Marcelo Alderete

Programmer for the Festival Internacional de Cine de Mar del Plata (Argentina). Programmer for the ANTOFADOCS (Chile). collaborator for the magazine Haciendo Cine.

person
Ulrich Ziemons

Ulrich Ziemons is a film curator based in Berlin. He is one od the cocurators of the Berlinale ForumExpanded program, as well as a member of the short film selection committee of Dokfest Kassel. He has curated film programs and exhibitions for Kochi Muziris Biennale, MMCA Seoul, Arsenal – Institute for Film and Video art Berlin, a.o. In 2014 his book “Aufzeichnungen eines Storm Squatters” was published, the first German language monograph on the American underground filmmaker George Kuchar.

Critic's Award (ABRACCINE)

person
Adriano Garret

Graduated in journalism from Casper Líbero College, he is the founder and editor of Cine Festivais, the first Brazilian journalistic site specialized in covering film series, retrospectives and film festivals. He dedicates himself to the thought of film selection and programming. He conducted interviews with curators of some of the major Brazilian festivals. As a reporter and film critic, he also collaborated with Opera Mundi.

person
Pedro Plaza

Researcher and professor, he is a PhD by USP with a thesis about modern cinema criticism in Brazil. Acted in the Archive of Paulo Emilio Salles Gomes / Cinemateca Brasileira. He is a professor in the history department and in the post-graduate program in history at Federal University of Paraná. He published articles, with highlights in Arte e Política no Brasil: modernidades, (Perspectiva, 2014), Olhares: audiovisualidades contemporâneas brasileiras (Felcicram, 2016). He also collaborated in the magazines Sinopse (USP), Antíteses (Londrina), Iluminuras (Porto Alegre), Cadernos do Tempo Presente (Aracaju), Contracampo (UFF) and Significação-Revista de Cultura Audiovisual (USP).

person
Orlando Margarido

Cultural area reporter, film and plastic arts critic. He worked in the magazines Veja São Paulo and Carta Capital, besides the newspapers Diário do Grande ABC and Gazeta Mercantil. He is part of the selection committee of É Tudo Verdade IDF. He wrote Ser Ator – Antonio Petrin (Imprensa Oficial). He collaborated in the books Manoel de Oliveira (CosacNaify/Mostra SP, 2005) and 100 Melhores Filmes Brasileiros (Letramento/Abraccine). He is one of the organizers of Bernardet 80 – Impacto e Influência no Cinema Brasileiro (Paco/Abraccine). He is Vice President of Abraccine.

person
Neusa Barbosa

Journalist, writer and researcher, she holds a postgraduate degree in Art History. she worked in the Folha de S. Paulo, O Estado de S. paulo and Veja S. Paulo magazines. She created and has editated the Cineweb website since 2000. Collaborator of the agency Thomson Reuters. Conducts courses and curators of cinema screenings. She has been a member of the selection committee of É Tudo Verdade IDF since 2006. She was a founding partner of Abraccine and the collective group Elviras de Mulheres Críticas de Cinema.

person
Yale Gontijo

She is a cultural journalist, screenwriter and film critic. Worked in the Culture team of correio Braziliense newspaper for seven years. she is a partner of the Brazilian Film Critics Association (Abraccine) and funding partner of collective Elviras de Mulheres da Crítica de Cinema.

AVEC-PR Award

person
Bruna Machado

Graduated in audiovisual by the University of Brasilia, with a master’s and doctorate (In progress) in Literatures, in UFSC Literature Post-Graduation Program, currently ministeres the disciplines of Cinema Theories I and Audiovisual Narrative in the course of Cinema and Audiovisual of UNESPAR, as a collaborating teacher.

person
Carlos Eduardo Lourenço Jorge

Mineiro from Belo Horizonte. Cinema by FAAP (71 to 74). Creator of the film and Video Division of the State University of Londrina. Curator of the UEL cinema room. Critic of Folha de Londrina, Londrina journal and Folha de Londrina. Collaborator in specializes publications or not. Coverage of national and international film festivals. since 1997 in Cannes. Since 1995 in Venice. Coordinator of debates. Gramado Festival since 1980.

person
Daniel Pereira

Daniel Pereira is director, director of photography and screenwriter. He has been developing projects for cinema, television and advertising for 11 years.

Curitiba_Lab

1989

Juliana Sanson e Fabulário Filmes
Módulo: Longa-metragem Ficção

Amém

Mariana Tesch Morgon e Lusco Fusco Filmes Ltsa – EPP
Módulo: Longa-metragem Ficção

Barões Detrás do Morro

Marcela Bordin, Germano de Oliveira, Avante Filmes, Besouro Filmes, Casa de Cinema
Módulo: Longa-metragem Ficção

Fotograma

Fernanda Pessoa e Moro Filmes
Módulo: Longa-metragem Ficção

Inimigo

Bruno Carboni, Marcela Bordin e Tokyo Filmes
Módulo: Longa-metragem Ficção

O Homem Cordial

Iberê Carvalho, Pablo Stoll e Pavirada Filmes
Módulo: Longa-metragem Ficção

O Vulto do Pássaro

Douglas Soares, Humberto Carrão e Glaz Entretenimento
Módulo: Longa-metragem Ficção

Sereis uma só Carne

Andréa Kalaboa, Tiago Lipka e GP7
Módulo: Longa-metragem Ficcção

Capítulo XIX

Luiz Ernani Lepchak
Módulo: Documentário

Corpo Fissura

Laís Melo Dlugosz
Módulo: Documentário

Entre Paraísos Ficcionais e Terras Prometidas

Shai Oliva Alon
Módulo: Documentário

Fôlego

Bruna Steudel
Módulo: Documentário

No Meu Coração Reina a Congada

Leandro Cordeiro
Módulo: Documentário

No Topo do Mundo

Diego de Mello Rego Lopes
Módulo: Documentário

Puerpeba

Camila Macedo Ferreira Mikos
Módulo: Documentário

Xondaria

Eduardo Martins Zimermann Camargo
Módulo: Documentário

Contracapa

Rafael Waltrick
Módulo: Série

Corpo de Delito

Fernanda Morini
Módulo: Série

Deus, o Diabo e a Vida

Julia Vidal
Módulo: Série

Histórias do Busão

Alessandra Pajolla
Módulo: Série

Resgate

Fernando Coelho
Módulo: Série

Sedentário

William de Oliveira
Módulo: Série

Seminários

Meet the Programmers

The team of curators and programmers of the Olhar de cinema takes stock of the festival films, contextualizing them.

Cinema of Invention

Directors from different generations talk about Cinema of Invention, irreverent and provocativa films produced in the late sixties and early seventies, and their reverberations in contemporary productions festival.

Screenwriting for TV Series

Important national writers, authors of works like Carcereiros and supermax, talk about their works and the TV market for writers.

Murnau's Legacy

The influence of the German master in the History of world cinema.

Masterclass Ignacio Agüero + screening This is the Way I Like it

Talk about the work of Chilean documentary filmmaker Ignacio Agüero: his aesthetic and thematic influences, his creative process. Moderated by Carla Italiano.

Vlogger Critics

Talk about the new tools for analysis, reflection and debate about movies.

Masterclass Anocha Suwichakornpong

Talk about the work of Thai director Anocha Suwichakornpong: her aesthetic and thematic influences, her creative process. Moderated by Aaron cutler.

Elviras - Women Cinema Critics Collective Group

Discussion about the insertion of women in cinematographic criticism and on the female view for films directed by women and men.

Book Release Bernardet 80 - Impact and Influence in Brazilian Cinema

This work, written by Ivonete Pinto e Orlando Margarido, deals with the critical performance of the long-time, prolific and active film thinker Jean-Claud Bernardet, Demonstrating the ramifications and influences of his thought in national cinematographic production through articles written by filmmakers, academics and researchers.

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