A celebration is underway to the sounds of chants, from which we hear “our daughter is so respectable”. Amid all this, in an attempt to fake her menstrual period, Zuzana is exposed and has only one day to revert her virginity and present a credible respectable image for her wedding night. The eyes of the women around her tend from repression to the assurance that everything will be fine. However, in this film by Senegalese filmmaker Moly Kane, the expectations of what a woman must be coerce the irrevocability of a happy ending. *(K.M)
Moly Kane was born in 1986 in Pikine (Dakar, Senegal). He studied audiovisual writing in Senegal (2008) and then took part in a short program at the Fémis. He founded the Ciné Banlieue festival in his hometown and the production company Babubu Films. He was also granted the title of Knight of Senegal's Ordre national du Mérite. In 2016, he graduated from a DAEU (Diploma of Access to University Studies) at the University of the West Indies and Guyana of Martinique, majoring in Art and Culture.