How may we turn to archival images to revisit a trauma without thereby reproducing that same trauma? We find a cinematographic gesture in this Argentine film as it meticulously addresses the possibilities of imagining these archives, of recounting what they cannot by themselves. From excerpts from a VHS tape, the narration of a fabled happy ending, the possibilities for “creating moments of eternity” within a scenario of deaths amidst a pandemic which, in the 1980s and 90s, took away so many people who fell victim to the HIV virus. (C. A)