Brazilian cinema on streaming platforms
The impact of streaming platforms on Brazil’s national film market and future prospects for the country's audiovisual industry.
Mediation
>Krishna Mahon
Columnist for the newspaper Folha de São Paulo in 2022, TV host of SexPrivé Club for Bandeirantes TV since 2019, Krishna is a journalist and filmmaker. She was nominated for an Emmy and has won dozens of national and international awards for the documentaries and series she produced when she worked as executive producer at Discovery Channel in the USA and content director for the History channels. Founder and patron of Imprensa Mahon, a multiplatform, non-profit channel focused on information and promotion of the audiovisual sector, she is also one of the founders and administrators of Mulheres do Audiovisual Brasil, which has brought together women talents from all over the country since 2015.
Speakers
Fábio Mostof
With over 10 years in the audiovisual market, Fábio Mostof is a Master's candidate in Culture at FGV. He has worked with content acquisition, licensing, and curation for Globosat channels and digital platforms and in programming for the Cinemark cinema chain. He is a Content Manager at Paramount, responsible for the curation, development, and artistic oversight of original Paramount+ projects.
Simone Oliveira
Simone Oliveira holds a BA in Publicity and Advertising from the University of São Paulo, with an MBA in Business Management from IBMEC –RJ, and a specialization degree from the New York Film Academy. She has over 20 years experience in the entertainment industry with an emphasis on cinema. Working at Globo Filmes since 2019, previously as Content and Production Manager, Simone began her career at Sony Pictures, coordinating marketing actions and events for all company launches. She was service director at Espaço/Z, a company specialized in entertainment marketing, marketing manager and commercial manager at Conspiração Filmes and marketing manager at MovieMobz, the world’s first on-demand movie distributor.
