The Hidden Tiger
Brazil
Afonso Uchoa
White Out Black In
Brazil
Adirley Queirós
What Now? Remind Me
Portugal
Joaquim Pinto
Forma
Japan
Ayumi Sakamoto
How to Disappear Completely
Philippines
Raya Martin
Mary is Happy, Mary is Happy
Thailand
Nawapol Thamrongrattanarit
My Class
Italy
Daniele Gaglianone
September
Greece/Germany
Penny Panayotopoulou
Sheep
France
Marianne Pistone and Gilles Deroo
The Green Jacket
Ukraine
Volodymyr Tykhyy
The Kidnapping of Micheal Houellebecq
France
Guillaume Nicloux
Zanj Revolution
Algeria/France
Tariq Teguia
The Call
Brazil
Gustavo Vinagre
When it Lifts its Little Eyes Up
Brazil/France
Alice Furtado
A Horse Kick on the Chest
Brazil
Renan Rovida
Laborat
Germany
Guillaume Cailleau
Master Blaster – An Adventure of Hans Lucas on Nebulosa 2907N
Brazil
Raul Arthuso
My Sense of Modesty
France
Sébastien Bailly
Taprobana
Portugal
Gabriel Abrantes
That I’m Falling?
France
Eduardo Williams
The Incomplete
Germany
Jan Soldat
The Swimming Trunks
France
Mathilde Bayle
Verona
Brazil
Marcelo Caetano
Bloody Beans
Algeria/France
Narimane Mari
Chantier A
Algeria/France
Karim Loualiche, Lucie Deche and Tarek Sami
From Gulf to Gulf to Gulf
India
Shaina Anand and Ashok Sukumaran
L for Leisure
United States
Lev Kalman and Whitney Horn
Time Goes by Like a Roaring Lion
Germany
Philipp Hartmann
The Future
Spain
Luiz Lopez Carrasco
The Quest of the shooner Creoula
Portugal
André Valentim Almeida
A Spell to Ward off the Darkness
France/Estonia
Ben Russel and Ben Rivers
Love, Plastic and Noise
Brazil
Renata Pinheiro
What We Make of Our Misfortunes
Brazil
Arthur Tuoto
Gabrielle
Canada
Louise Archambault
Hard to be a God
Russia
Aleksey German
Reptilia in Suburbia
Philippines
Timmy Harn
Riverrun
Brazil
Paulo Sacramento
The Creator of the Jungle
Spain
Jordi Morató
The Dirties
Canada
Matt Johnson
The Distance
Spain
Sérgio Caballero
The Second Game
Romania
Corneliu Porumboiu
The Songs of Rice
Thailand
Uruphong Raksasad
A Tale of Michel and Montaigne
France/Germany
Jean-Marie Straub
Butter Lamp
France/China
Hu Wei
Carranca
Brazil
Wallace Nogueira and Marcelo Matos de Oliveira
Dialogue of Shadows
France
Jean-Marie Straub and Danièle Huillet
Ski Lessons
Brazil
Samuel Brasileiro and Leonardo Mouramateus
Majub’s Journey
Germany
Eva Knopf
Metaphor or Sadness Inside Out
United Kingdom/Portugal
Catarina Vasconcelos
The Dead’s Wish
Brazil
Ramon Porto Mota
The Invaders
Brazil
Calac Nogueira
Soviet Park
Brazil
Karen Black
Rex Inutilis
Portugal
Telmo Churro
The Friends
Argentina
Paulo Pécora
C(us)todians
Brazil
Aly Muritiba
After the Rain
Brazil
Cláudio Marques and Marília Hughes
(dis)montage
Brazil
Bruna Costa
Backstage Porn
Brazil
Dellani Lima and Ana Moravi
Confusion Through Sand
United States
Danny Madden
Land
Japan
Masanobu Hiraoka
Malody
Canada
Phillip Barker
Manakamana
United States
Pacho Velez and Stephanie Spray
Politics
Germany
Diego Aguiló
Shangai Immigrant Self-portrait
Canada
Betty Jiang
Tokio Giants
Japan/Belgium
Nicolas Provost
Trento Symphonia
France/Italy
Flatform
Day of Light
United States
Stanley Kubrick
Flying Padre
United States
Stanley Kubrick
The Seafarers
United States
Stanley Kubrick
Fear and Desire
United States
Stanley Kubrick
The Killing
United States
Stanley Kubrick
Paths of Glory
United States
Stanley Kubrick
Dr. Strangelove or: How I Lerned Stop Worryin and Love the Bomb
United States/United Kingdom
Stanley Kubrick
2001: A Space Odissey
United States/United Kingdom
Stanley Kubrick
A Clockwork Orange
United Kingdom/United States
Stanley Kubrick
Barry Lindon
United Kingdom/United States
Stanley Kubrick
The Shining
United Kingdom/United States
Stanley Kubrick
Full Metal Jacket
United Kingdom/United States
Stanley Kubrick
Eyes Wide Shut
United Kingdom/United States
Stanley Kubrick
Saint Teresa
Brazil
Eduardo Baggio
Waiting
Brazil
Felipe Aufiero
The Waters
Brazil/Switzerland
Larissa Figueiredo
Authority
Brazil
Danilo Daher
Kaleidoscope
Brazil
Julien Guimarães
Carcass
Brazil
Camila Carneiro, Diego Baffi, Jéssica Oliveira and Laura Formiguieri
Tokio Village
Brazil
Rodrigo Grota
Jonni Driver
Brazil
Estevan Silveira
Where Did the Birds Go?
Brazil
Gustavo Ulisse
Te Extraño
Brazil
Nathália Tereza
Trans*lúcidx
Brazil
Tamiris Spinelli
Born in France, was living in Paris, lives now in Lisbon, Portugal. Worked 10 years at La Cinémathéque Française, the twelve years at Locarno International Film Festival, as a programmer. She is a permanent jury member of the Jean Vigo Prize. Now she is associate programmer for DOCLISBOA.
Graduated at Cinema from the Fluminense Federal University (UFF), he has directed and written 11 shot-films, notably Ensaio de Cinema (2009), O brilho dos meus olhos (2006) and A dama do Peixoto (2011). In 2012 he directed Esse anor que nos consome, his first feature film, which premiered at the Brasilia Festival and received 3 awards in 10 brazilian cities, notably Special Jury Award at the APCA (São Paulo Association of Art Critics) and the Audience Award at the Olhar de Cinema – CIFF 2013.
Critic and editor of the Clarin Film section, between 1992 and 2012. BFA in Communication Sciences. Diego was also a professor of semiotics at the Centro de Investigación Cinematográfica. He was granted a scholarshio at the Journalism Fellowship Program at the University of Michigan, and is coauthor of the book Nuevo cine argentine. He is president of Fipresci – Argentina and was vice president of this federation internationally. He has a blog called Micropsia and writes for Inrockuptibles y Otros Cines, among others.
Cláudio was an editor and critic for the Coisa de Cinema newspaper during eight years (1995-2003). Responsible for the programming at the Sala Walter Silveira, he idealized and currently manages the Espaço Itaú de Cinema – Glauber Rocha. Cláudio is the idealizer behind the Panorama International Coisa de Cinema. He has directed 6 shortfilms, which have won 52 awards in total. Depois da chuva, his first feature film, won three awards at the 46th Brasilia Festival and was shown at the 43rd Rotterdam Film Festival, at the 16th BAFICI and at the 32nd Uruguay Film Festival.
Jacobine van der Vloed is a freelance media consultant, advisor and trainer. She worked for over ten years for the International Film Festival Rotterdam, as well as in many other capacities within the industry in 2013. Jacobine setted up a media consultancy company, JVTP Media Consulting. Currently, Jacobine works as a talent agent for the directors & screenwriters at Amsterdam, Jacobine graduated with a Masters Degree in Cultural History from the University of Ultrecht in 2002.
Member of FIPRESCI (The International Federation of the Cinematographic Press), Roger Koza works for La Voz del Interior (Córdoba, Argentina) as a film critic; He also writes about cinema for Ñ and Con los ojos abiertos. Koza is also programmer at Filmfest Hamburg, in Germany, and FICUNAM, in Mexico. He’s also Artistic Director at FICIC and DocBuenos Aires. He has participated as a jury member at IFFR,, Locarno Film Festival, Golden Apricot Film Festival, BAFICI, among others.
Betrina Steinbrügge is diretor of the Kunstverein in Hamburg (Germany). She worked for the Kassel Documentary Film Festival and from 2001 to 2007 she was the director of Halle für Kunst in Lüneburg. She teaches at the Haute École d’Art et de Design, in Genebra since 2009 and since 2014 is professor for art theory at the University of Fine Arts of Hamburg. In 2011, she was a curator at La Kunsthalie Mulhouse. Since 2007 Steinbrügge is co-curating Forum Expanded at the Berlin International FIlm Festival. From 2010-13 she worked as chief curator at the Belvedere in Vienna.
Charlene Dinhut works at the Centre Pompidou Paris, as film curator. She also works as a film curator at the Museum for Hunting and Nature, a very peculiar venue in Paris for contemporary art.
Ilana Feldman holds a PhD in Cinema by ECA/USP with a passage at the University Paris VIII Department of Philosophy, Arts and Aesthetics. She is currently in her post-doctorate course in Literary Theory at UNICAMP, with research Os Diários Cinematográficos de David Periov: do privado ao político, and acts as a curator for the cycle O Cinema e o Irrepresentável, at the Sao Paulo Center Jewish Culture. Her book, Jogos de Cena: ensaios sobre o documentário brasileiro contemporâneo, will be published in 2014 by Contraponto publishing house.
The Ancine – Agência Nacional de Cinema, in partnership with the Olhar de Cinema, Festival Internacional de Curitiba and the Parana Audiovisual Industry Union (Siapar), presentes the Audiovisual Fund Sector Seminar in Curitiba-PR.
Masterclass with Jean-Claude Bernardet, with the projection of the short-film ‘A navalha do avô’, by Pedro Jorge, in which he played the protagonist.
The panel aims to analyze the current domestic production from the perspective of film genres, drawing a parallel with past investments and reflecting on possible future paths for Genre Film in Brazil.
We know that the coverage of a film receives at certain film festivals are determinant for its subsequente career in the world. There are at least a dozen major festivals in the world today which serve as a plataform for established filmmakers, but which still remain concerned with discovering new and compelling cinematic motions.
What are the possible paths so the actor may find the character? How does the communication between actor and director take place when building the character’s dramaturgy? When does the actor become author? The techniques and praxis of the film actor in a conversation on personal trajectories.
Introdução ao Desenho de Som – Uma Sistematização Aplicada na Análise do Longa Metragem Ensaio Sobre a Cegueira (Author: Débora Opolski).
Lei da Ancine comentada (medida provisória nº 2.228-1/01) (Author: Marcelo Ikeda).
Leis de Incentivo para o Audiovisual – Como captar recursos para o projeto de uma obra de cinema e vídeo (Author: Marcelo Ikeda).
