Vila Pérola
Felipe Lovo and Maurício Ferreira
Fiction Feature Film
Filmes
Competitive | Features
DRVO – The Tree
Portugal
André Gil Mata
Fabiana
Brazil
Brunna Laboissière
Good Luck
France, Germany
Ben Russel
The Wolf House
Chile
Cristóbal León, Joaquín Cociña
The Flower Shop
Belgium, Slovaquia
Ruben Desiere
Nervous Translations
Philippines
Shireen Seno
Playing Men
Slovenia, Croatia
Matjaz Ivanisin
The Seen and Unseen
Indonesia
Kamila Andini
Sol Alegria
Brazil
Tavinho Teixeira, Mariah Teixeira
The Widowed Witch
China
Cai Chengjie
Competitive | Shorts
There They Come!
Mexico
Ezequiel Reyes
Meat
Brazil
Mariana Jaspe
Evidence of the Evidence
United States
Alexander Johnston
Unidentified Black Man
Spain
Javier Extremera Rodríguez
Imfura
Switzerland, Rwanda
Samuel Ishmwe
The Strange Story of Prince Dethmer
France
Corto Vaclav, Hadrien La Vapeur
Mangrove
Brazil
Amaranta Cesar
Gase
Iran, Italy
Farnoosh samadi
Our Song to War
Belgium, Colombia
Juanita Onzaga
Solar Walk
Denmark
Réka Bucsi
Novos Olhares
Black Mother
United States
Khalik Allah
Behind the Shutters
Belgium
Messaline Raverdy
Expo Mess’92
Spain
María Cañas
The Endless Film
Argentina
Leandro Listorti
Our Madness
Portugal
João Viana
Smetak
Brazil
Simone Dourado, Nicolas Hallet, Mateus Dantas
Outros Olhares | Longas
Beyond the One
France, Italy, Germany
Anna Marziano
Before my Eyes
Brazil
André Felix
Did you Wonder Who Fired the Gun?
United States
Travis Wilkerson
The Bottomless Bag
Russia
Rustam Khamdamov
Inland Sea
Japan
Kazuhiro Soda
The House is an Island Made of Wind and Rain
Brazil
Letícia Simões
Pushkar Myths
India
Kamal Swaroop
The Dead Nation
Romania
Radu Jude
One or Two Questions
Germany, Uruguay
Kristina Konrad
Our House
Japan
Yui Kiyohara
Yours in Sisterhood
United States
Irene Lusztig
Outros Olhares | Curtas
Antonio and Catarina
Portugal
Cristina Hanes
The Ditch
Spain
Begoña Vicario
The Man with the Bycicle
Germany
Levan Tsintsadze
The Cemitery Lithens
Cuba
Luis Alejandro Yero
We are All Here
Brazil
Chico Santon, Rafael Mellim
Boilling
Brazil
Camila Gregório
Hair Wolf
United States
Mariama Diallo
Hoissuru
Spain
Armand Rovira
Lembri Uudu
Estonia
Eeva Mägi
Sílica
Australia, United Kingdom
Pia Borg
Sweet Heart
Brazil
Amina Jorge
Time to Leave, Tive to Return
Brazil
Pedro Nishi
A Moon Made of Iron
France, Chile
Francisco Rodriguez
Olhares Clássicos
The Option
Brazil
Ozualdo Ribeiro Candeias
The Firemen’s Ball
Czechoslovakia
Milos Forman
The Meetings of Anna
France, Belgium, West Germany
Chantal Akerman
Night of the Living Dead
United States
George Romero
The Red Light Bandit
Brazil
Rogério Sganzerla
Alice Guy-Blaché Shorts Program
United States
Alice Guy-Blaché
Santo vs. The Evil Brain
Mexico, Cuba
Joselito Rodriguez
Scarface: The Shame of a Nation
United Station
Howard Hawks
The Ladies’ Man
United States
Jerry Lewis
Focus
Janie Geiser – Program 1: Secret Stories
Janie Geiser – Program 2: Magnetic Sleep
Janie Geiser – Program 3: The Nervous Films
Janie Geiser – Program 4: Double Vision
Janie Geiser – Program 5: Exchanges
Janie Geiser – Program 6: Passages
Special Screenings
Outer Edge
Brazil
Ewerton Belico, Samuel Marotta
Camocim
Brazil, France
Quentin Delaroche
Class Diary
Brazil
Maria Carolina, Igor Souza
The Devil’s Knot
Brazil
Ian Abé, Gabriel Martins, Jhésus Tribuzi, Ramon Porto Mota
Peggy and Fred in Hell: Folding
United States
Leslie Thornton
Special Screenings Program: Cinema, Memory, Elegy, Resistance
Guy Maddin, Evan Johnson, Galen Johnson, Debora Stratman, Jean-Marie Straub, Carlos Adriano.
Retrospective
Contras’ city
Senegal
Djibril Diop Manbéty
Hyenes
Senegal, Switzerland, France
Djibril Diop Manbéty
The Little Girl Who Sold the Sun
Senegal, France, Switzerland, Germany
Djibril Diop Manbéty
Le Franc
Senegal, Switzerland, France
Djibril Diop Manbéty
Let’s Talk, Grandmother
Senegal
Djibril Diop Manbéty
Touki Bouki
Senegal
Djibril Diop Manbéty
Chronique d’un été
France
Jean Rouch
Jaguar
France
Jean Rouch
The Lion Hunters
France
Jean Rouch
The Punishment
France
Jean Rouch
The Pyramide Humaine
France
Jean Rouch
The Mad Masters
France
Jean Rouch
Mammy Water
France
Jean Rouch
I, a Negro
France
Jean Rouch
Little by Little
France, Nigeria
Jean Rouch
Mirada Paranaense
Above the Law
Brazil
Diego Florentino
[De]tached
Brazil
Ana Esperança
Euller Miller Between Two Worlds
Brazil
Fernando Severo
Lui
Brazil
Denise Kelm
Dive of the Eye
Brazil
Haroldo Castro Alves
The Blessed
Brazil
Tulio Viaro
Fernanda’s Spring
Brazil
Débora Zanatta, Estevan de la Fuente
Surface
Brazil
Bernardo Teodorico
Terreiros
Brazil
Felipe Lovo, Maurício Santos
Reflux
Brazil
Fábio Allon
Young Views
The Last Song for a Rude Heart
Brazil
Marco Antônio Pereira
Carlotta’s Face
Germany
Valentin Rieldl, Fréderic Schuld
Grave of the Fireflies
Japan
Isao Takahata
In Love with Cinema
Kyrgyzstan
Askar Nurakun uulu
Sandwich Board Girl
Brazil
Camila Tarifa
On the Way to School
Brazil
Alunos do Projeto Animação
The Secrets of the Big River
Brazil
Alunos do Projeto Animação
Plantae
Brazil
Guilherme Gehr
High School Spring
Brazil
Maíra Kaline
About Us
Brazil
Alunos do Projeto Animação
Spark
United States
Aharonit Elior
Travessia
Brazil
Safira Moreira dos Santos
Júri
Competitive
André Novais Oliveira
Graduated in History by PUC-Minas and in Cinema by ELC / BH. he directed and wrote the short films “Ghosts”, “About a Month” and “Backyard” and the feature films “She Comes Back on Thursday” and “Temporada” (work-in-progress). Together, his films were screened and awarded in many different festivals and screenings like Cannes Critics Week, Rotterdam, Fid Marseille, Brasília and Tiradentes. Together with Gabriel Martins, Maurílio Martins and Thiago Macêdo Correia, he is part of the production company Filmes de Plástico.
Claire Allouche
Claire Allouche was born in Saint-Denis, France. She is a programming assistant at the 3 Continents Festivals, in Nantes. She is beginning a PhD project about the value of non-capital cities in contemporary Argentine and Brazilian cinemas, with the guidance of Dork Zabunyan and Thierry Roche, from Paris 8 University. She graduated in cinema by Ciné-Sup, in ENS Ulm, in Paris 8 and UNSAM (Argentina) and also in Special Social Sciences at EHESS (Paris). She writes eventually for cinema magazines.
Roger Koza
Member of FIPRESCI (The International Federation of the Cinematographic Press), Roger Koza works for La Voz del Interior (Córdoba, Argentina) as a film critic; He also writes about cinema for Ñ and Con los ojos abiertos. Koza is also programmer at Filmfest Hamburg, in Germany, and FICUNAM, in Mexico. He’s also Artistic Director at FICIC and DocBuenos Aires. He has participated as a jury member at IFFR,, Locarno Film Festival, Golden Apricot Film Festival, BAFICI, among others.
Olhares Brasil Award and New Views
Annouchka De Andrade
She has been working on the past 20 years in numerous cultural areas which include Film festival, management of cultural meetings and performances in international venues, promoting creativity in the arts, in particular, helping mature and develop young professionals. For the French Ministry of Foreign Affairs in Colombia and Spain Annouchka has been in charge of management of shared cultural heritage, promotion of national cinema. She is now Director of the International Film Festival of Amiens.
Ela Bittencourt
Ela Bittencourt is a critic, programmer and funder of Lyssaria, a new cinema website. Her articles are published on several international magazines, among them Artforum Art in America, Film Comment, Frieze, Hyperallergic, Sight & Sound and The Village Voice. She was curator of some screenings in the USA (True/False Film Festival; Museum of Moving Image / MoMI, New York) and in Brazil. She contributes with Sheffield DocFest and É Tudo Verdade film festivals.
Jang Byung-won
He received a doctorate in film theory from Chung Ang University. He worked as a chief editor of weekly film magazine FILM 2.0. and as a curator dor Im Kwan Taek Film Museum. He has been working as a programmer at Jeonju International Film Festival since 2013. He teaches film theory, film history, and film aesthetics in film school.
Other Views
Filipa Reis
Filipa Reis has been directing documentaries since 2010 with João Miller Guerra, and their films are regularly Shown and awarded in festivals such as Cinéma du Réel, IDFAm DokLeipzig, Bafici, Bordocs, Doclisboa, Olhar de Cinema or IndieLisboa. Their first feature film “Djón África”, premiered at Rotterdam IFF 2018. At Uma Pedra no Sapato they develop and produce documentary and fiction films, where they work their own cinematic projects as well as from other directors.
Juliana Antunes
Juliana Antunes is the director and screenwriter of the feature film “Baronesa”. screened in more than 40 film festivals, with 8 international and 10 Brazilian prizes. Also, she directed and wrote the screipt of the short film “Plano Controle”, a work-in-progress project to be released in the second semester of 2018. She was a programmer of CINE 104 projections place and she is curator for Cineclube Aranha, both in Belo Horizonte, Brazil.
Leonardo Bomfim
Leonardo is a programmer for Capitólio Petrobras Cinematheque since 2015 and for Sala P. F. Gatal since 2013, in Porto Alegre, Brazil. He was the editor of Czech Nouvelle Vague screening catalog. He collaborated with the catalog. He collaborated with the catalog of Godard Inteiro ou o Mundo em Pedaços screening. Leonardo has published texts for Teorema, Norte, Zinematógrafo and Aurora.
AVEC-PR Award
Emanuela Siqueira
Masters student by UFPR, she researches written transgressions produced by women. Emanuella writes about cinema since 2008, and today collaborates with Quadro por Quadro website. She is part of Elviras “C Collective of Women Cinema critics and participated as jury for Colors: Cinema and Diversity and took part on debates about women representations on cinema and women actions in cinema critics. a member of AVEC-PR, today she is interested in researching about women audiovisual productions in Parana.
Jessica Candal
Jessica Candal has a bachelor degree in Audiovisual (ECA-USP) and is a specialist in Visual Poetics (EMBAP). As a filmmaker, the highlight of her work is the medium lengh film “O Espelho de AnA”. And as a screenwriter, the feature films “Rust” and “Barba Ensopada de Sangue”. along with Aly Muritiba, and “Tão Longe do Centro da Terra”, along with Aarón Fernandez. as a curator, in past years, she worked for Olhar de Cinema – Curitiba Int’l Film Festival and FICBIC – Curitiba’s Biennal International Film Festival.
Nelson Settani
He works as an audiovisual producer since 2005. Since 2013 he documents urban occupations in Curitiba by Movimento Popular por Moradia “C MPM (Popular Movement for Residence). On May 13, 2016 he actively participated in the occupation for the culture at IPAHN in Curitiba, resisting to the parliamentary coup. Today he is the president of AVECPR “C Paraná Cinema and Video association and a substitute in the Cultural State Council.
Critic's Award (Abraccine)
Susana Schild
Journalist, film critic, screenwriter. She worked at Jornal do Brasil, was collaborator for O Estado de São Paulo, and directed the Cinemateque of Modern art Museum (Rio de Janeiro). She wrote the script of “Depois daquele baile” and “Mão da luva” (directed by Roberto Bomtempo). Curator of the bilingual edition of Brazilian cinema Today: Critics and Specialist’s Essays from all over the country (Latin Alerican Training Center), Since October 2010 is part of the film critic’s crew for O Globo. Author of the child book ” As Aventuras de Jajá”.
Vitor Búrigo
Graduated in Video and Cinema ar UNISUL, Santa Catarina. Worked in television, radio and cinema in many different functions, in companies such as Record, SBT and Jovam Pan, and also in film production companies such as Record, SBT and Jovem Pan, and also in film production companies. In 2013, he created the CINEVITOR show on Youtube, where he talks about cinema through many different themes. He also interviews directors and actors, as well as does festival coverages. In January 2014, he released the website CINEVITOR online, expanding his way of talking about films. He also acts as a critic for Preview Magazine.
Emanuela Siqueira
Masters student by UFPR, she researches written transgressions produced by women. Emanuella writes about cinema since 2008, and today collaborates with Quadro por Quadro website. She is part of Elviras “C Collective of Women Cinema critics and participated as jury for Colors: Cinema and Diversity and took part on debates about women representations on cinema and women actions in cinema critics. a member of AVEC-PR, today she is interested in researching about women audiovisual productions in Parana.
Kênia Freitas
Post-PHD student in Communication at UNESP, PhD in Communication by UFRJ, master in Multimedia by Unicamp and graduated in Journalism by UFES. She was curator of the screenings frofuturismo: cinema e música em uma diáspora intergaláctica (2015/ Caixa Belas Artes/SP), A Magia da Mulher Negra (2017/Sesc Belenzinho/SP) and Diretoras Negras no Cinema brasileiro (2017/Caixa Cultural/DF e RJ). She writes cinema critics for “Multiplot!” and is a part of the Elviras “C Collective of Women Cinema Critics”.
Robledo Milani
Chief-editor of website Papo de Cinema, president of ACCIRS – Rio Grande do Sul Critics Association, founder member of ABRACCINE – Brazilian Cinema Critics Association.
Curitiba_Lab
Solina
Larissa Fernandes, Cauê Brandão and Lidiana Reis
Fiction Feature Film
Rumor
Susana Costa Amaral and Bia Medeiros)
Fiction Feature Film
Quase Iguais
Thais Bologna and André Queiroz
Fiction Feature Film
Órion
Rodriane Dellê and Ana Paula Málaga
Fiction Feature Film
O Nascimento de Astério
Francisco Gusso and Lígia Teixeira
Fiction Feature Film
Hotel California
Daniel Nolasco and Wadih Elkadi
Fiction Feature Film
Estrela do Sul
Roberson Corrêa and Laís Lifschitz
Fiction Feature Film
Jovem: Presente!
Thiago Benites and Ighor Augusto
Documentary
Juventude Azul
Alana Rodrigues and Fernanda Morin
Documentary
Nega Ela
Guto Pasko and Ana Cláudia Justino
Documentary
Feito de Barro e Ossos
Leandro Cordeiro and Rodrigo Ribeiro
Documentary
Guerra de Porecatu
Nelson Settani and Jessica Candal
Documentary
Recomendação das Almas
Anderson Simão and André Senna
Documentary
Cascos
Renato Ogata and Gil Baroni
Documentary
Três Câmeras Ilegais
Nicolás Gómez Portillo and Willian Fragata
Documentary
Vazão
Elder Maxwhite and Marcos Savae
Documentary
Netas do Coronel
Sônia Procópio, Jessica Candal and Denise Fait
Series
Terra Rica
Daniel Pereira and Camille Bolson
Series
M de Morte
Gabriela Rosa and Thais Peixe
Series
Thereza das Marés
Julia Vidal and Isabele Orengo
Series
Adolescentes
Felipe Lovo and Willian Fragat
Series
Família Tradicional
Thiago Benites and Igor Augusto
Series
Seminários
Meet the Programmers
An open conversation to the public with the programmers of 7th Olhar de Cinema about this year’s selection, its films and events.
Distribution and Exibition of Authorial Cinema
The challenges and possible ways for exhibition of auteur cinema and television.
Curatorship and Critics
The relation between critics and curatorship on the building of cinematographic thinking. What are the convergences and divergences between curators and programmers about contemporary cinema? In the midst of interest conflicts, how to prevent one part from being subjugated to another?
Q&A Screening
Screening of the film”Chronicle of a Summer”, directed by Jean Rouch, and Q&A with Carla Italiano and Mateus Araújo.
Festivals Curatorship
The role of film programmers in festivals and screenings: the legitimacy of aesthetics trends and the search for new languages. The different methodologies of work and the connection with cinematographic market.
The Cinema of Djibril Diop Mambéty and Jean Rouch
A group discussion about the distinguished and united legacies of two masters of Mondial cinema honored in Retrospective section this year.
Finalization Processes
The challenges in orchestrating the finalization of image, sound, accessibility, deliveries, etc., of an audiovisual project.
Representation and Representativity Politics of Trans People in Cinema
Discussion about the stereotypes in the cinematographic representations of trans people, about the narrative construction that desestabilizes stigmas and about the presence of trans professionals and artists in front and behind cameras.
Illustrated Talk
An illustrated talk on which the American director Janie Geiser, Focus’ guest artist this year, discusses all her references and influences, cinematographic and personal, for the film “Arbor” (2012, 7min).
